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Creation. Temptation. Destruction. 

New archetypes aren’t minted very often, but Mary Shelley’s Frankenstein is certainly among them. Two hundred years after the publication of the novel, West Edge presents Libby Larsen’s operatic treatment with its resonant themes of ego, ambition, and the war between reason and emotion. Working with frequent collaborator Jeremy Knight, West Edge brings to fruition the technological innovations suggested in this rich score that could only be hinted at in the work’s premiere. Frankenstein is the kind of work that has become West Edge Opera’s calling card.

 

 

Music and libretto by Libby Larsen

In English with English supertitles

Conducted by Jonathan Khuner

Directed by Matthew Ozawa

Video design by Jeremy Knight

 



Director Matthew Ozawa makes his West Edge debut with Frankenstein. Ozawa has an international career spanning all artistic disciplines having worked for prestigious companies worldwide including Canadian Opera Company, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, Opera Siam, Macau International Festival, and Oregon Shakespeare Festival. Additionally, Ozawa is the Founder and Artistic Director of Mozawa, a Chicago-based incubator advancing collaborative art and artists. 

Jonathan Khuner has been Musical Director of West Edge Opera since 1986 and served as Artistic Director from 1994 to 2009. He has conducted over 65 of our productions. He has also worked as assistant conductor at the San Francisco Opera for over thirty years, at the Metropolitan Opera in New York for over fifteen years, and has served as well on the musical staff of Chicago's Lyric Opera since 1992.  In 2013 he conducted the first Wagner opera ever performed in the nation of Albania: Tannhӓuser, at the National Theater in Tirana, and the Wagner Mini-Ring at Minnesota Concert Opera