West Edge Opera

A Look at Orfeo

A Look at Orfeo

Brian RosenAugust 2, 2019orfeo

A Look at Threepenny

A Look at Threepenny

Brian RosenAugust 1, 2019threepenny

The Fabric of Consent

Jolie O'DellJuly 18, 2019breaking

Visual Alienation - Christine Crook Channels her Inner Brecht

Visual Alienation - Christine Crook Channels her Inner Brecht

Brian RosenJuly 11, 2019threepenny

From Princess to Prostitute, Sarah Coit Has Got It Covered

From Princess to Prostitute, Sarah Coit Has Got It Covered

Brian RosenJuly 3, 2019threepenny

Journey To The Underworld: Christine Brandes Travels From the Stage to the Pit

Journey To The Underworld: Christine Brandes Travels From the Stage to the Pit

Brian RosenJune 25, 2019orfeo

Cruel Geography: Sara LeMesh on Breaking the Waves

Cruel Geography: Sara LeMesh on Breaking the Waves

Brian RosenJune 19, 2019breaking

Director KJ Dahlaw Discusses a Queer Orfeo

Director KJ Dahlaw Discusses a Queer Orfeo

Brian RosenJune 11, 2019orfeo

Its In The Genes: A Father and Son Collaboration

Its In The Genes: A Father and Son Collaboration

Brian RosenJune 4, 2019breaking

An Interview With Emilie Whelan, West Edge Opera's new Associate Director of Development

An Interview With Emilie Whelan, West Edge Opera's new Associate Director of Development

Brian RosenMay 16, 2019

Derek Chester: Fit for the Stage

Derek Chester: Fit for the Stage

Brian RosenApril 26, 2019threepenny

Echos of Streetcars In An Historic Venue

Echos of Streetcars In An Historic Venue

Brian RosenApril 18, 2019

Nikola Printz On Singing Without A Net (Literally!)

Brian RosenApril 11, 2019orfeo

Missy Mazzoli on the Empowering Tragedy of Breaking the Waves

Brian RosenApril 4, 2019breaking